A bi-monthly online magazine published by CPQ Professional Imaging. You can see prior issues in the archive.

There are different papers, printers and inks. And, of course, there are different conditions where the prints are stored or diplayed. All of it affect the longetivity of the print. You probably heard or read about different lifespans of a digital print, but were those statements as true as it realy is? The following article (in PDF file) casts some light on when you can expect the skin tones on your photo turn green (or yellow?).
Want to learn more? Here is the list of articles for you.

Photo by Tom Dahlin
Illuminated by two sources: Dahlin's ceiling mounted Dynalights and the floor level IR flash. Here the ceiling strobes were used to add a little fill light to the background, and were dialed down to be about 1 stop below the floor strobe.
What an interesting approach to sport photography. Read the article on SportsShooter.com about an assignment where the client was "... looking for unique images beyond the standard through the glass, overhead, and post remotes stuff we all shoot so much of ...".

Constant changes of focus, distance, composition and position of the subject in dim light represent some of the obstacles that a photographer encounters in a "concert environment". You may try to use flash if allowed or rely on the vibrant and unpredictable stage lights, but you have to complete the assignment and produce great photographs. Such job is not for everyone, though for those brave ones there is a tutorial written by Steve Mirarchi.

This lesson (written by Kevin Ferrara) any photographer should learn. There Kevin teaches us about meaningful composition:

By "meaningful composition" I mean a composition that is "abstractly informative in a psychological or symbolic way". So what elements of a composition can be "abstractly informative in a psychological or symbolic way"? In short, just about anything related to the craft of composing pictures: The Shapes, the Lines, the Colors, the justaposition of elements, the framing, and on and on. Everything except the subject matter, which is real or "concrete", not abstract. "